This sleeve has some intense detail ,it’s coming in at around 2 and a half years of work here’s the final session shots
Fully healed shots coming in the future ,💥💥💥
This sleeve has some intense detail ,it’s coming in at around 2 and a half years of work here’s the final session shots
Fully healed shots coming in the future ,💥💥💥
this one was long haul , coming in at around 3 years tough at times but the end results were worth the stress !
Timeless Tattoo was again at the Scottish Tattoo Convention , I worked on the Sunday ,show casing 2 large in progress back pieces ,hit and run this time as I’m in the middle of moving house ,here’s some photos
See you there next year !
more progress on this back piece , making short work on this were about 5 appointments in this was the first full day sitting on it 👍
If you want a closer look at the tattoo in person I’ll be doing 3 hours on this at our booth on the Sunday at the Scottish Tattoo Convention , support your local tattoo show , the Edinburgh show has continued to be a show to look forward to
Progress on this Mara back-piece looking forward to adding to this as it will eventually go down to rear thighs
Putting some colour into this Raijin thundergod sleeve ,
And the monkey god Hanuman got finished off
More grunt work on this huge dragon back-piece starting to take shape now ,and the ends in sight ,looking forward to seeing all this filled in
A healed up shot of a glock pistol with a tiny Statue of Liberty on the handle
Good fun
Below is Kuniyoshi’s Ariōmaru Kills a Giant Octopus, circa 1833-1835. In Japanese medieval military chronicles Ariō was a servant of Priest Shunkan who gave particularly loyal service during Shunkan’s banishment and death on Kikai island. The inscription in the top right of the picture tells how Ariō killed a giant octopus during his journey to Kikai island to join his master.
Here is the 2nd sitting on an ongoing back piece representing the woodblock